N E W S
U P C O M I N G
September 24th (premiere), 26th, 27th, 28th 2019 – PRAY. CHUCK. COME HITHER chamber opera at the Taschenoperfestival Salzburg, with Thierry Brühl and OENM Ensemble Peter Rundel
October 2019 – new piece for AAA-AAA for two e-guitars
Fall 2019 – Artefacts @ performed by Neue Vocalsolisten @ Südseite Nacht in Theaterhaus Stuttgart
November 26th (premiere in Stuttgart), 27th, 28th 2019 – sound for Banana Island, a performance by Apokalyptische Tänzer*innen @ Theater Rampe, Stuttgart
December 13th (premiere in Bremen), 14th, 15th 2019 – sound for Banana Island, a performance by Apokalyptische Tänzer*innen @ Theater Schlachthof Bremen
April 2020 – new piece for E-MEX Ensemble, Cologne
July 2020 – new piece for Ensemble Adapter and large-scale video-projection at Darmstädter Ferienkurse
R E C E N T
June 2019 – sound for Following Mo – interactive walk through Stuttgart as seen by Mo, a 9 year-old boy. with Apokalyptische Tänzer*innen, Stuttgart
May 12th 2019 – Artefacts #2 for Sarah Maria Sun & Dirk Rothbrust @ Wittener Tage für neue Kammermusik
April 27th 2019 – screening of #popfem at EMAF – European Media Art Festival in Osnabrück in Lagerhalle, starting at 14:00h
April 3rd, 5th, 7th, 10h 2019 – performances of a puppet theatre play Žabica Kraljica @ Music Biennale Zagreb
March 15th 2019 – sugarcoating #2 @ Philharmonie Luxembourg, performed by Trio Catch
February – March 2019 – comm.unique project – curating ECLAT Festival’s Instagram account together with Malte Giesen, Maria Kalesnikava and URBAN PROPAGANDA Stuttgart
February 14th 2019 – AHC 1 for 4 performers with glasses @ Don’t Try #nopera
January 19th 2019 – premiere of Artefacts, for 6 vocal soloists, tape and video, Neue Vocalsolisten at Ultraschall Festival Berlin
December 15th 2018 – Aural Apparati, installations, videos with Perspektiven Box and Philipp Krebs, Kunstraum 34 Stuttgart
November 23rd 2018– sugarcoating #2 @ Huddersfield Contemporary Music Festival performed by Mimitabu (Heather Roche, clarinet / My Hellgren, cello / Jonas Olsson, piano)
November 9th 2018 – sugarcoating #2 with Festival Ensemble (Mia Elezović, Smiljan Mrčela, Bruno Philipp) at Glazbena tribina Opatija Festival in Opatija, Croatia
November 2nd and November 3rd 2018 – sugarcoating with Landesjugendensemble Ba-Wü and Christof M. Löser in Friedrichshafen (19h, Kiesel im k42, Karlstrasse 42, Friedrischshafen) and Mannheim (18h, Reiss-Engelhorn-Museen Mannheim, C 5, Museum Zeughaus)
October 26th – November 3rd 2018 – workshops & sugarcoating for ensemble played by Landesjugendensemble, conducted by Christof M. Löser
October 3rd 2018 – sugarcoating #2 @ GAS Festival Gothenburg (Atalante Venue) performed by Mimitabu (Heather Roche, clarinet / My Hellgren, cello / Jonas Olsson, piano)
September 21st 2018 – sugarcoating #2 @ Festival TACEC La Plata, Argentina, performed by Trio Catch
July 2018 – Workshop “Discontinuity” w/ Michael Maierhof at Darmstadt Summer Course – http://internationales-musikinstitut.de/en/ferienkurse/kurse/discontinuity/
April 2018 – 06./09./10./11.04. – Forever Apocalyptic in Stadtbibliothek Stuttgart, a project with Jasmin Schädler, Calendal Klose, Mona Louisa-Melinka Hempel
– 15. 4. – sugarcoating #2 performed by Mimitabu in Hagakyrkan
Gothenburg, Sweden
Oct 2017 – Feb 2018 – RAISE YOUR VOICE Project with Neue Vocalsolisten (Theaterhaus)
02. – 04.02. 2018 – sugarcoating #2 for Trio Catch @ ECLAT Stuttgart
18.11.2017 – #popfem screening @ Sinelinea Festival in Zagreb, Croatia
29. 08. & 31.08. 2017 – sugarcoating #2 for Trio Catch @ Novalis Music + Art Festival in Zadar and Zagreb, Croatia (https://www.facebook.com/events/1938870853034546/)
21. – 28.08. 2017 – lectures, improvisation, concerts and screening of my video work #popfem @ Kyung-Hee University in Seoul, South Korea, alongside duo AAA—AAA, Perspektiven Box (Julian Siffert & Uikyung Lee), Philipp Krebs and Adrian Laugsch
23. – 25. 06. 2017 – screening of #popfem @ Acting In Concert Festival, Witten (Germany)
03. 06. 2017 – Sugarcoating, ensemble piece – performed by Ensemble Musikfabrik @ the Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart // conductor: Christof M Löser
22. 4. – 25.4.2017 – opening of 29th Music Biennale Zagreb – Puppet play Žabica kraljica (Frog the Queen) // director: Rene Medvešek / Josip Konfic, percussion / Sanja Vrsalović, piano / Marija Lešaja, soprano / Gustav Barišin, double-bass
